Some of these consolidated narratives take the form of an Episode or Romance;
  and Sprenger, though perhaps pushing his theory too far, has given us an
  ingenious clue to their origin. It is the practice of the Moslem world, during
  the first ten days of Rabî I. (the month in which Mahomet was born) for the
  faithful to meet in their family circles, and listen to recitals of his birth,
  miracles, and death. In opulent houses there is often retained for the purpose
  a professional Bard, who repeats his story from memory, or extemporises it in
  the style of the ancient rhapsodists. To aid the reciter, we have a mass of
  popular works, the most noted being that of Bakry (A.H. 763). They are called Moulûd
  Sharîf ("The Ennobled Nativity"); one of these, written in the
  Urdoo language, was reviewed in this periodical.1 They are filled
  with childish tales, and resemble fiction so much more than history, that, as
  remarked even by a Mahometan writer, they abound with names of persons,
  places, kings, and kingdoms, which never existed. We do not know when such
  annual recitations commenced; but we are assured by Kazrûni that the festival
  of the birth of Mahomet has been celebrated from the earliest times. Now, if
  we compare, for instance, the narrative of the Prophet's